来自西班牙Hevia的风笛是令人愉悦的，他融合数百年苏格兰风笛的文化底蕴，加上自己的特有音乐内涵，将这个独特而古老的乐器升华到一个新的高度，让我们也能从中体会到现代感……，听着这种风笛不会让你想起苏格兰的裙子，或者苏格兰乐队麦着整齐的队伍，吹奏象征民族的音乐。他让你体会的是风笛的欢快的一面。

这首歌早在1977即由美国女歌手Charlene灌唱，其后也曾经数次重录，或许是发行公司财力不够。宣传无门，问世没有多久就销声匿迹。终于本歌在1982年被一位电台DJ发掘，在自己的节目中密集的播放，从而迅速蹿红，一发不可收拾,后又拿下全美排行榜第三和英国第一的好成绩。但是Charlene本人的星途却远非一帆风顺，另外唱了一些歌都反响平平，1980年代中期就彻底消失歌坛了。不过这首未曾有自我(I've Never Been to Me)却一直传唱至今，成了Charlene唯一的一首畅销曲。

在动人得旋律下，这首歌有着相当发人深省得内容。歌曲描述了一个历尽沧桑的女人，看见另外一个已婚妇女在悲叹自己的命运，忍不住提出一些忠告。她曾经有过放浪形骸的过往，走遍整个世界，凭着自己的青春美貌，享受着犹如天堂一般的快乐时光，王公贵族甚至神职人员都曾是她的入幕之宾，但是到头来，她却只落得一场空，不但走投无路，连个肯友善相待得人都没有。天堂是什么？那只是人们用来欺骗自己的幻想，她劝那位彷徨得妇女，好好珍惜自己拥有得，怀抱中得宝宝，还有那个虽然有时会吵架、但真心爱她得男人，才是真正珍贵得，那才是爱。或许她到过天堂，但是她从未找到过自我，请不要重蹈她得覆辙。

歌词:

I've never been to me-Charlene Duncan

Hey lady, you, lady, cursing at your life 

You're a discontented mother and a regimented wife 

I've no doubt you dream about the things you'll never do 

But I wish someone had talked to me like I wanna talk to you

I've been to Georgia and California, anywhere I could run

Took the hand of a preachman and we made love in the sun 

But I ran out of places and friendly faces 

Because I had to be free 

I've been to paradise, but I've never been to me 

Please lady, please, lady, don't just walk away 

Cause I have this need to tell you why I'm all alone today 

I can see so much of me still living in your eyes 

Won't you share a part of a weary heart that has lived a million lies

Oh,I've been to Niece and the Isle of Greece 

While I sipped champagne on a yacht

I've moved like Harlow in Monte Carlo and showed 'em what I've got

I've been undressed by kings

And I've seen some things that a woman ain't supposed to see 

I've been to paradise

But I've never been to me

(spoken)

Hey, you know what paradise is? It's a lie 

A fantasy we create about people and places as we'd like them to be

But you know what truth is?

It's that little baby you're holding 

And it's that man you fought with this morning 

the same one you're going to make love with tonight 

That's truth, that's love

Sometimes I've been to crying for unborn children 

that might have made me complete 

But I, I took the sweet life 

I never knew I'd be bitter from the sweet 

I spent my life exploring the subtle whoring 

that cost too much to be free

Hey lady, I've been to paradise 

But I've never been to me 

拥有瑞典歌唱界第一女王头衔的Titiyo,是Neneh Cherry(89年以全美季军曲"Buffalo Stance"深受欢迎)的妹妹,亦是Eagle-Eye Cherry(98年以全美Top 5单曲"Save Tonight"进军乐坛)的亲戚,80年代加盟Arista音乐厂牌推出两张专辑,89年以自写曲"Man In The Moon"成为该年度瑞典电台点播率最高单曲,91年以Top 40单曲"My Body Say Yes"进军美国,93年单曲"Never Let Me Go"深获好评,就在节奏蓝调歌手泛滥之际,Titiyo将潜习触角延伸至Soundgarden、Radiohead、Jeff Buckley等吉他摇滚的世界,97年与Eagle-Eye Cherry合作的专辑《Extended》为她摘下第三座瑞典葛莱美奖的最佳女艺人奖。

歌词:
Play with it while you have hands
Dust settles, cities turn to sand
Trespassing this is their land
Time flies, make a statement, take a stand
Come along now, come along with me
Come along now, come along and you'll see
What it's like to be free
Come along now, come along with me
Come along now, come along and you'll see
What it's like to be free
Come along now, come along with me
And i'll ease your pain
Come along, come along with me
And let's seize this day
Come along, come along with me
Stay out stay clear but stay close
Friends, foes, god only knows
Let's be the thorn on the rose
Time flies, make a statement, strike a pose
Come along now, come along with me
Come along now, come along and you'll see
What it's like to be free
Come along, come along with me
Come along now, come along and you'll see
What it's like to be free
Come along now, come along with me
And i'll ease your pain
Come along, come along with me
And let's seize this day
Oh, come along with me
Time flies, make a statement, take a stand (3x)
Time flies, take your chance
Come along now, come along with me
Come along now, come along and you'll see
What it's like to be free
Come along, come along with me
Come along now, come along and you'll see
What it's like to be free
Come along now, come along with me
And i'll ease your pain
Come along, come along with me
And let's seize this day
Oh, come along with me
Oh, come along with me

Isgaard（伊思嘉），来自德国的她，拥有一个诗意盎然的名字，意思是“雪花妆点的花园”(ice garden），而这个名字跟她的音乐所呈现出辽阔的空间感，伊思嘉用晶莹剔透的歌声，扮演神秘美丽的女主角，丰富、自然的声音表情，在脑海中留下令人难忘的「声」影，isgaard的音乐中古典与现代电子的契合度堪称精准，所占的舒服比例，刚好就在让你酥茫茫，但还不到打瞌睡的程度。

S.E.N.S的音乐如诗，如歌咏，如散文。Truth Love以口琴、钢琴相奏着，那些字句和景象似触手可及又遥不可及的，任由温柔与感伤矛盾并存着……就像耳边回荡着纤纤口琴，每口每口荡漾开的音符，无不是昔日时光的片段和回放。琴声绵而深邃着，时而低沉舒缓，时而悠扬紧促，仿佛一张看不见的网，却依旧孜孜不倦地回味，甘心沦陷。黑白键上涓涓而来空灵清柔的妙音，似雨露般滋润着心田，柔化了单调晦涩的影像。

《Natural 》专辑收录多首日剧及电影配乐.....“神思者”是一支在1984年由Akihiko Fukaura（深浦昭彦）和Yukari Katsuki（胜木缘）两人所组成的电子键盘乐团。1988年，日本NHK公共电视制播的纪录片“丝路系列”的《海上丝路》中，担任作曲、编曲与演奏的工作而声名大噪。 

1989年，台湾导演侯孝贤获得威尼斯影展金狮奖、扬名世界影坛的电影《悲情城市》的原声带，即是由神思者所演奏。在短短21分钟长度的章节，却将电影中深沉、无法言喻的无奈与悲伤诠释得淋漓尽致，让人记忆深刻。为了让乐迷们能够藉着《海上丝路》配乐三部曲（分别为《海神》、《伽罗》、《茶之圆舞曲》），更加深对他们的印象，于是将原先的团名“Sensitivity Project”更名为有“Sense”（感性）和“Cense”（焚香）两种意义的“S.E.N.S”。步入千禧年以后，“S.E.N.S”的创作理念，延伸到“Sound（声响）、Earth（土地）、Nature（自然）、Spirit（心灵）”的层次，象征着他们的应许与期待

01.True Love

02.少年

03.悲情城市

04.海神

《Classicriver》这首曲子几年前就躺在我硬盘里了。当时被这曲子的旋律和女声伤感的吟唱所深深感动了。但一直没在意这首曲子出自哪里，今天整理硬盘又翻出了它，在网上查了一下好像是出自《假如爱有天意》这部韩片，我没看过这部电影，因此也不敢枉下结论，但却听说有人看一次哭一次,其实出自哪里并不重要，重要于这首曲子能给我们带来什么~~

歌曲选自法国四人乐队Amélie Les Crayons，2007年的大碟《La Porte Plume》，整张专辑从词曲创作到封面设计，从编排配乐到演唱风格，都令人赏心悦耳，喜欢不已。《Le Train Trois》中灵巧地运用了竖琴、钢琴、大号、单簧管、低音提琴等乐器来衬托主唱清新甜美的声音，飞扬跳跃，妙到极致！那些跳跃的音符象一个个快活的精灵在心上舞蹈,总想伸长耳朵收藏这好似蜻蜓点水般一闪即失的美好~

同一首曲子，不同的人，不同的乐器所呈现给我们的是不同的思索。二胡音色深厚、甜润、纯正而雅致，能给人以悦耳动听，刚劲而秀美之感，而古筝低音区低沉浑厚，高音区清越剔透，中音区则珠圆玉润，极为悦耳。由黄江琴及段银莹独奏的《不装饰你的梦》极好的为我们演绎出了这两种乐器的神韵。